Monica Bonvicini, Leda Bourgogne, Mariechen Danz, Nadira Husain, Jens Pecho, Lili Reynaud-Dewar, Ryan Trecartin
Duration: February 22 to May 12, 2019
Curator: Julia Höner
What is the human being? This question has always preoccupied artists, but today it is more difficult than ever to answer. Accordingly, the artists of Body in Pieces have dedicated themselves to the human body as a focal point at which pressing queries coincide, concerning the technological and social conditions of human existence, for instance. Knowledge about the body today reveals itself as being both relational and frayed. Take, for example, the notion of increasingly technically interconnected, posthuman bodies, competing with the traditional identity- and gender-based images that are predominantly and persistently in circulation. In the works of the seven international artists, the body consequently appears as a rather fragmented and ambiguous entity—in which power and control manifest themselves and which is economically and socially appropriated. At the same time, the body still represents our organic basis—from where innumerable wishes and desires are formulated.
The exhibition is supported by:
SAÂDANE AFIF, CORY ARCANGEL, JULIA BÜNNAGEL, MIKE HENTZ,
CATHERINE LORENT, WARREN ENVIOUS, EMEKA OGBOH, JÜRGEN STAACK AND OTHERS.
Exhibition: June 7 to September 15, 2019
Curator: Ludwig Seyfarth
Artists have always been fascinated by how images can become sounds, or sounds can become images. The question of synaesthetic correspondences was thus a focus of attention for a long time. In contemporary art, on the other hand, images, objects, music, sound and language interact with each other in a variety of ways. A sharp boundary between static and moving art forms increasingly disappears in favour of a complexity of different time structures. Sound worlds and pictorial traditions from different regions of the world come together. The exhibition spaces of KAI 10 used by the participating artists to stage installations as well as selected performances form a flexible spatial structure in which the various sound events create different time frames.